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Model Study reproduction of painting by Richard Bergh. ALL GICLEE PRINTS
Model Study reproduction of painting by Richard Bergh. ALL GICLEE PRINTS

Model Study

Richard Bergh
Technique: Giclée quality print
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"Model Study" by Richard Bergh, a renowned Swedish painter, captures the serene contemplation of a seated model amidst a softened, earthly backdrop. This painting, executed with a loose, impressionistic brushwork, emphasizes the interplay of light and shadow, creating a palpable sense of depth and texture. The subject, depicted in a casual, reclining pose, gazes away from the viewer, adding an element of introspection and mystery to the scene.The use of muted browns and subtle greens, along with carefully structured brushstrokes, endows the work with a vibrant, yet soothing, naturalistic quality. This nuanced approach not only highlights Bergh's skill in rendering the human form but also his ability to evoke a rich atmosphere, drawing the viewer into a moment of quietude and reflection."Model Study" invites the audience to ponder the relationship between artist and model, a classic theme in art history, through a distinctly Scandinavian lens.

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Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Artist
Richard Bergh
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Sven Richard Bergh (1858–1919) was a Swedish painter, art critic and museum manager. Despite many years in France, he remained unattracted to Impressionism, preferring instead the Naturalism of painters such as Jules Bastien-Lepage. He also rejected the idea of creating landscapes en plein aire.

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