Hypnotic Séance (1887)

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Richard Bergh's captivating painting "Hypnotic Séance" from 1887 delves into the intriguing world of psychology and hypnotism, a subject of great curiosity and debate during the late 19th century. This artwork vividly portrays a séance scene, where a group of individuals is gathered around a young woman undergoing a hypnotic procedure.At the center of the composition, the young woman, dressed in a flowing white gown, reclines in a state of trancelike repose on a chaise lounge. Her posture and expression convey a mix of vulnerability and detachment, highlighting the profound impact of her hypnotic state. The hypnotist, a figure cloaked in dark attire, gently holds her head, focusing intently on his task. This central interaction is illuminated against a softer, muted background, drawing the viewer’s attention directly to the exchange between hypnotist and subject.Surrounding the central figures, a group of onlookers, consisting of both men and women, observes the scene with expressions ranging from concern to curiosity. Their varied reactions add a dynamic element to the scene, suggesting different societal views on the practice of hypnotism.Through "Hypnotic Séance," Bergh not only captures a specific historical interest in the mind and its hidden capabilities but also crafts a narrative that resonates with broader themes of human vulnerability, power, and the quest for knowledge.

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Sven Richard Bergh (1858–1919) was a Swedish painter, art critic and museum manager. Despite many years in France, he remained unattracted to Impressionism, preferring instead the Naturalism of painters such as Jules Bastien-Lepage. He also rejected the idea of creating landscapes en plein aire.