Barbier ambulant, Espagne (1868)

Technique: Giclée quality print
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More about this artwork

Venture into the dynamic and sun-drenched streets of 19th century Spain with Jehan Georges Vibert's evocative masterpiece, "Barbier ambulant, Espagne" (1868). This painting captures a vivid scene of everyday life, offering a window into the bustling street life and the colorful characters of its time.In the foreground, a travelling barber skillfully shaves a relaxed customer, who lies back comfortably on a rustic wooden chair. The barber, focused and precise, showcases the attention to detail necessary for his trade, with various tools hanging ready from his belt. To their side, a simple fire heats a pot, presumably to sterilize the equipment—a glimpse into the hygiene practices of the era.Adding to the vibrancy of the scene, two men engage in animated conversation to the left. Here, Vibert's talent shines, as he masterfully depicts their expressions and rustic attire, from worn boots to loose, off-shoulder shirts, capturing the warmth and camaraderie prevalent in the culture.Further depth is added by the background, where more townspeople, including a group of musicians and onlookers, contribute to the liveliness of the street. The architecture, with its arches and warm, earthy colors, frames the entire tableau, enriching the storytelling with hints of daily life and the architectural style of the time.Jehan Georges Vibert, known for his meticulous compositions and narrative depth, invites viewers to immerse themselves in this lively Spanish street, feeling the pulse of its people and the ambiance of an era long past but vividly remembered through his art.

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Jehan Georges Vibert or Jean Georges Vibert was a French academic painter.

He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot.