Le Nouveau Commis

Technique: Giclée quality print
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More about this artwork

Featured in our exhibition is the charming nineteenth-century painting "Le Nouveau Commis" by the French artist Jehan Georges Vibert. This delightful work captures a moment in the life of a young apprentice as he steps into a new role, depicted through Vibert's meticulous and vibrant style.The scene is set at the doorway of what appears to be a kitchen or storeroom, heavy with the air of culinary pursuits and domestic errands. The young man, clad in an elegantly tailored light green suit with intricate lace at his cuffs and collar, exudes a mix of anticipation and mild apprehension. His attention is drawn to his tricorne hat, which he holds with both hands, suggesting he is either arriving at or departing from his new place of employ.The painting is rich with detail that tells a story beyond the central figure. Positioned at his feet, an opened trunk and a brightly colored bundle indicate recent travel or the beginning of a significant journey. A curious blackbird to his left adds a dynamic touch to the composition, its presence perhaps symbolizing good luck or the new experiences awaiting the young man.Vibert is known for his genre scenes that often include a dash of humor and satirical elements, and "Le Nouveau Commis" may hint at these undercurrents through its depiction of the young man’s slightly awkward handling of his hat and the somewhat disorganized array of his belongings."Le Nouveau Commis" invites viewers to reflect on themes of new beginnings, the challenges and excitement of youth, and the timeless nature of stepping into new roles in life.

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Jehan Georges Vibert or Jean Georges Vibert was a French academic painter.

He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot.