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Wolkenstudie (ca. 1840) reproduction of painting by Adalbert Stifter. ALL GICLEE PRINTS
Wolkenstudie (ca. 1840) reproduction of painting by Adalbert Stifter. ALL GICLEE PRINTS

Wolkenstudie (ca. 1840)

Adalbert Stifter
Technique: Giclée quality print
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We invite you to immerse yourself in the evocative landscape of Adalbert Stifter's "Wolkenstudie," a remarkable painting from around 1840 that captures the ephemeral beauty of the sky. In this exquisite piece, Stifter masterfully portrays a vast expanse of clouds swirling against a brilliant backdrop of blue and earthy tones. The composition is dominated by the powerful interplay between light and shadow, which brings a dynamic contrast across the canvas.The foreground is subtly suggested with a strip of dark, serene landscape that balances the tumultuous sky above. This minimalistic approach to the horizon emphasizes the overwhelming presence and variety of the clouds, ranging from wispy, delicate formations to robust, billowing masses. The artist uses a palette that transitions seamlessly from deep browns to soft creams, punctuated by the striking blues of the sky peeking through gaps in the cloud cover."Wolkenstudie" not only reflects Stifter's fascination with natural phenomena but also serves as a meditation on the transient and ever-changing sky. Each brushstroke contributes to a sense of movement and transformation, inviting viewers to ponder the infinite and fleeting moments that the sky offers.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Adalbert Stifter
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Adalbert Stifter (1805–1868) was an Austrian writer, poet, painter and pedagogue. Born in Oberplan, Bohemia (now Horní Planá, Czech Republic), he was the eldest son of a wealthy linen weaver. Better known as a writer, Stifter was able to convey vivid and engaging landscapes in both his writing and painting. At the end of his life, exhausted by physical and mental illnesses, the artist died of suicide.

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