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The Bezestein Bazaar, El Khan Khalil, Cairo (1843-44) reproduction of painting by John Frederick Lewis. ALL GICLEE PRINTS
The Bezestein Bazaar, El Khan Khalil, Cairo (1843-44) reproduction of painting by John Frederick Lewis. ALL GICLEE PRINTS

The Bezestein Bazaar, El Khan Khalil, Cairo (1843-44)

John Frederick Lewis
Technique: Giclée quality print
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Step back in time with “The Bezestein Bazaar, El Khan Khalil, Cairo,” a captivating painting by John Frederick Lewis created between 1843 and 1844. This piece transports viewers to the bustling heart of 19th-century Cairo, illuminating a scene rich with cultural heritage and bustling activity.The artwork presents a mesmerizing glimpse down the shaded pathway of a bazaar. Lewis masterfully captures the architecture of the narrow street, adorned with high wooden lattices that let beams of light filter through, creating a natural interplay of light and shadow that brings the scene to life. Along the bustling street, various merchants and townspeople engage in daily activities, giving us a window into the lives led by the people in this historic marketplace.Merchants are seen tending to their goods, surrounded by warmly textured fabrics and artifacts typical of Egyptian markets. Each figure is depicted with fine detail and individuality, reflecting Lewis’s sharp observation skills and deep appreciation for the daily life in Cairo.“The Bezestein Bazaar, El Khan Khalil, Cairo” is not just a painting; it is a narrative captured in time, inviting the viewer to appreciate the historical and cultural dimensions of this Egyptian landscape.

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Artist
John Frederick Lewis
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John Frederick Lewis was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with little apparent Western influence.

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