Cabbage Field (1915)

Technique: Giclée quality print
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More about this artwork

The painting "Cabbage Field" by Edvard Munch, created in 1915, showcases a vibrant and expressive landscape. This artwork displays a panoramic view of a cabbage field spread across the foreground. The cabbages are painted in bold, curvilinear strokes of predominantly deep blues and greens, capturing the lush vibrancy of the vegetable plots.On either side of the cabbage field, the viewer can observe contrasting patches of land; the left side features warmer tones with yellows and reds suggesting perhaps a field of ripening crops or flowers under a bright sunlight, whereas the right side extends with distinctly vivid green hues possibly indicating a grassy area.The background portrays a range of hills or low mountains, rendered in darker blues and greens, contributing to a sense of depth and distance in the landscape. The sky above spans wide, brushed with lighter and darker shades of blue and faint brushstrokes of white, possibly hinting at clouds or the time of day nearing twilight.Munch’s technique in this painting involves loose and visible brushstrokes that give the artwork a dynamic texture and an almost tactile quality. His use of color, not strictly adhering to naturalistic representations, emphasizes the emotional tenor and atmospheric mood of the scene rather than detailed realism. This choice of style aligns with the expressionistic approach for which Munch is renowned, encapsulating not just the visual but the felt essence of the landscape.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.