Frieda am Langenbürger See (c1909)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

" by Leo Putz, painted around 1909, captures a serene moment by the lakeside. In this enchanting portrayal, Frieda, the subject, leans gently against a bright white balustrade, looking out contemplatively. Her wide-brimmed hat, adorned with a touch of pink, shields her face from the sun, casting shadows that softly blend with her delicate features. She dons a striking blue jacket over a yellow blouse—a bold contrast to the tranquil hues of the lake and subtle greens of the background.Leo Putz masterfully employs a loose, impressionistic style to evoke a sense of immediacy and the fleeting interplay of light and shadow. The brushstrokes are bold yet considered, creating a dynamic texture that breathes life into the canvas.This artwork not only showcases Putz's signature style, blending realism with impressionistic touches but also creates a vivid narrative and atmosphere. It suggests a moment of peaceful introspection, perhaps a brief escape into nature's quiet embrace, making it a captivating scene to behold.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Leo Putz was a Tyrolean painter. His work encompasses Art Nouveau, Impressionism and the beginnings of Expressionism. Figures, nudes and landscapes are his predominant subjects.