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The Spinner (1865-1870) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS
The Spinner (1865-1870) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

The Spinner (1865-1870)

Henri de Braekeleer
Technique: Giclée quality print
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"The Spinner," painted by Henri de Braekeleer between 1865 and 1870, invites the viewer into a serene, domestic scene steeped in the quiet rhythms of daily life. As the title suggests, the central figure of the painting is an elderly woman, seated at her spinning wheel. Her warm, faintly smiling face lights up in the soft interior lighting that spills through the large window, hinting at the simple, yet profound, joys found in everyday tasks.Set in a rustic room, the details around the spinner add layers of texture and history to the scene. The rough plaster walls, heavy wooden beams, and terracotta tiles underfoot speak to the age and simplicity of the setting. Each element in the room – from the neatly arranged bottles on the shelf to the artwork hanging askew on the wall – contributes to a sense of lived-in warmth and realism.Through his masterful use of light and shadow, de Braekeleer not only highlights the spinner and her task but also crafts a palpable atmosphere of tranquility and timelessness. This painting captures more than just a moment; it evokes a heartfelt connection to the past and the enduring human spirit dedicated to the creation of both the mundane and the beautiful.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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