Woman Reading (1881-1885)

Technique: Giclée quality print
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"Woman Reading" is a captivating painting by Henri de Braekeleer, created between 1881 and 1885. The painting portrays an intimate and quiet moment of a woman engrossed in reading a book. She stands next to a richly decorated wall, filled with framed artworks that add depth and context to the scene.The woman, dressed in a beige dress with black striped accents and a white ruff at the neck, exemplifies a style typical of the late 19th century. Her attire suggests modesty and a gentle social status. Her posture, with the book attentively held close, along with her downcast eyes and slightly tilted head, convey a sense of deep concentration and peaceful solitude.The artist's use of texture and color enhances the sensory experience of the painting. De Braekeleer’s brushwork is meticulous, capturing the soft folds of the fabric and the subtle variations of light and shadow with a rich, realistic quality. The background paintings within the painting provide a meta-artistic element, suggesting a narrative or cultural richness that surrounds the woman and perhaps influences her thoughts as she reads.This stunning work not only showcases de Braekeleer’s skillful technique but also invokes a contemplative mood that invites viewers to pause and ponder the quiet moments of intellectual engagement in everyday life.

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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.