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The Country House of Gustave Coûteaux (1871) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS
The Country House of Gustave Coûteaux (1871) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

The Country House of Gustave Coûteaux (1871)

Henri de Braekeleer
Technique: Giclée quality print
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"The Country House of Gustave Coûteaux" by Henri de Braekeleer, painted in 1871, is an exquisite representation of a typical 19th-century Belgian estate. The painting captures a moment of serene daily life, set against the backdrop of an ornately constructed red brick country house adorned with architectural fineries such as turrets and gingerbread trims, reflecting the influence of Victorian style.In the foreground, the artwork features two figures: a woman dressed in a traditional, long, flowing gown and a man kneeling as he tends to the garden. The woman, poised gracefully on a curving path, carries a black parasol, hinting at a sunny afternoon, while the man appears absorbed in his task among the blooms. These characters add a human element to the scene, suggesting an idyllic, peaceful day in the countryside.The surrounding landscape is lush with varied vegetation, indicating the richness of the estate's gardens. The use of soft, natural light and shadow interplays across the scene, enhancing the depth and tranquility of rural life.Henri de Braekeleer's meticulous attention to detail in the architecture and natural settings, along with his ability to portray tranquil everyday moments, makes this painting a captivating glimpse into the past.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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