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Gustave Coûteaux (1871) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS
Gustave Coûteaux (1871) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

Gustave Coûteaux (1871)

Henri de Braekeleer
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Henri de Braekeleer's evocative watercolor painting titled "Gustave Coûteaux" transports viewers to a serene moment in 1871. The artwork, rendered with exquisite attention to detail, features an elderly gentleman seated comfortably against a lush, verdant backdrop. The subject, Gustave Coûteaux, is depicted in a relaxed posture, exuding a sense of quiet dignity and contemplation. His attire—a smart black coat, crisp white shirt, and neatly tied necktie—speaks to his refined nature, while the wide-brimmed hat and dark, round sunglasses add a touch of mystery and poise.Coûteaux holds a walking stick, hinting at a life both active and filled with leisure. The painting's background, a delightful blend of greens and earthen tones, creates a harmonious contrast with the foreground, firmly anchoring the subject in his surroundings. Braekeleer's skillful use of watercolors highlights the interplay of light and shadow, adding depth and realism to the scene.This composition is not just a representation of a man in his environment, but a deeper, introspective glance into the dignified tranquility of old age, thoughtfully captured by Braekeleer's masterful brush strokes.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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