Woman with a Fan (c. 1878-1879)

Technique: Giclée quality print
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1878-1879)Mary Cassatt's painting "Woman with a Fan" captures a serene yet introspective moment, beautifully illustrating Cassatt’s skill in portraying the quiet dignity and subtle complexity of her female subjects. The focal point of this portrait is a young woman, depicted in a three-quarter pose. Her expression is contemplative, bordered gently by the soft light that touches her face, highlighting her thoughtful eyes and the slight flush on her cheeks.The woman is dressed in an elegant, pale green gown with red accents peeking from her cuffed sleeves, suggesting a quiet sophistication. In her hands, she holds a folded fan, rendered in warm gold tones that draw the eye as a central element of the composition. The fan is not only a decorative accessory but also suggests a sense of demure self-possession, enhancing the air of refined grace that envelops her.The background, though indistinct, complements the subject with its cool blue tones and hints of a floral pattern, which provides a contrast that subtly emphasizes the warmth of the figure. Cassatt’s brushwork is evident in the lively yet controlled strokes, imbuing the painting with vibrant life that speaks of the impressionist style she championed.In "Woman with a Fan," Mary Cassatt once again demonstrates her exceptional ability to explore the inner lives of women through art, making visible the quietude and inner strength of her subjects through her masterful use of color, light, and gesture.

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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.