Examples of Chinese ornament, Pl.35 (1867)

Technique: Giclée quality print
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More about this artwork

The artwork titled by Owen Jones is a superb example of the aesthetic richness found in 19th-century art and design. The piece stands as part of Jones’ larger study into global design principles, underscoring his fascination with non-Western ornamentation—one that greatly influenced the period's visual arts.This particular plate features a meticulously crafted pattern imbued with a deep coral and gold color scheme that conveys both warmth and opulence. Diverse motifs of flora, intricate geometric shapes, and delicate filigree work interlink seamlessly across the canvas, creating an endless tapestry that one could imagine adorning the walls of a grand estate or the halls of a regal palace.Such detail in the painting not only highlights Jones' mastery of pattern design but also his dedication to representing Chinese elements authentically and respectfully, offering a window to the East that was novel to many during his time. The design is balanced, with every element intricately interwoven with the next, suggesting a sense of harmony and continuity highly prized in Chinese art.This piece is a vivid portrayal of cultural appreciation and artistic discipline, making it a significant cultural artifact from Owen Jones' illustrious career.

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Owen Jones was an English-born Welsh architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. He helped pioneer modern colour theory, and his theories on flat patterning and ornament still resonate with contemporary designers today.