Christmas 1919 (1919)

Technique: Giclée quality print
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More about this artwork

"Christmas 1919" is a compelling lithograph by the German artist Max Beckmann, created in the post-World War I era. This stark, expressionistic piece captures a moment frozen in time, depicting a scene of social interaction that carries an air of tension and pensiveness amidst celebration.The artwork features a group of individuals gathered in what appears to be a cafe or a small party. At the center stands a woman, perhaps the focal point, dressed in a detailed fur-trimmed coat, exuding a sense of wealth or status. Her face, directed slightly downwards, suggests introspection or maybe a moment of solitude amidst the group. To her right is a man dressed in a suit, holding a drink and possibly in conversation with or observing others around him.The background is populated with various characters, each absorbed in their own activities. Some seem engaged in a discussion, while others are more isolated, contributing to the dynamic of both community and alienation. Beckmann's use of sharp, angular lines intensifies the emotional depth of the scene, inviting viewers to delve into the psychological states of the characters.The presence of Christmas trees adds a layer of irony or contradiction, juxtaposing the celebratory symbol of the festive season against the somber expressions and muted interactions of the depicted figures. Beckmann's lithograph not only captures the aesthetic of the Weimar era with its complexity and edge but also reflects the societal mood of the time—a world recovering from the great upheaval of war, yet still ensnared in its shadows."Christmas 1919" by Max Beckmann is a powerful portrayal of human experience, reflecting the complexities of societal gatherings and the isolation that can persist even in communal settings.

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Actors, cabaret singers, heroes and thugs in a harsh postwar urban life by German artist Max Beckmann (1884-1950). His paintings show boldness, lust, and pain through delineated figures. The Nazi rule forced Beckmann to resign as an art professor and declared his artworks as degenerate. He later left for America where he lived in exile, yet remained active as an artist.