Examples of Chinese ornament, Pl.17 (1867)

Technique: Giclée quality print
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More about this artwork

Welcome to an artistic exploration of Owen Jones's masterpiece, "Examples of Chinese Ornament, Plate 17" from 1867. In this exquisitely detailed painting, viewers are treated to a visual symphony of patterns and designs that capture the essence of traditional Chinese ornamentation.The artwork is divided into a harmonious collection of motifs and textures. At the top, a delicate floral band sets an elegant tone, featuring stylized flowers connected by modest, intricate leaves, conveying a sense of natural growth and blooming vitality. This is followed by a vignette of taller, slender plants that exhibit a more pronounced, graceful form against a tinted background. These botanical illustrations are reminiscent of classic Chinese depictions of the natural world, emphasizing symmetry and balance.Central to the composition is an eye-catching circular motif, adorned with a radiating flower pattern. This central design is intricately detailed, showcasing a staggering level of craftsmanship with petal-like structures that seem to undulate outward from a beautifully complex center. This medallion-like feature serves as a focal point, drawing the viewer's eye inward to the depths of its design.Surrounding the central circle are four square panels, each filled with geometric patterns that exhibit the precision and mathematical harmony appreciated in Chinese art. These patterns range from tightly-knit floral arrangements to star-shaped designs, each meticulously laid out to form a cohesive and mesmerizing grid that complements the more organic elements of the composition.Together, these elements of "Examples of Chinese Ornament, Plate 17" by Owen Jones not only display the artist’s reverence for the intricacies of Chinese design but also reflect a broader cultural appreciation and exchange.

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Owen Jones was an English-born Welsh architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. He helped pioneer modern colour theory, and his theories on flat patterning and ornament still resonate with contemporary designers today.