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Les Coteaux De La Celle-Sous-Moret, Vus De Saint-Mammès (1884) reproduction of painting by Alfred Sisley. ALL GICLEE PRINTS
Les Coteaux De La Celle-Sous-Moret, Vus De Saint-Mammès (1884) reproduction of painting by Alfred Sisley. ALL GICLEE PRINTS

Les Coteaux De La Celle-Sous-Moret, Vus De Saint-Mammès (1884)

Alfred Sisley
Technique: Giclée quality print
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This serene painting, created by the renowned Impressionist artist Alfred Sisley in 1884, captures a tranquil riverside landscape at Saint-Mammès, where the River Loing meets the Seine. The artwork, titled "Les Coteaux de La Celle-Sous-Moret, Vus de Saint-Mammès," transports viewers to the leisurely pace of riverside life in late 19th-century France.The painting showcases Sisley's mastery in capturing natural light and his delicate handling of color. Soft brushstrokes render a vivid yet peaceful scene, depicting the lush, green hills of La Celle-Sous-Moret across the gentle flow of the river. The reflection of light on the water is rendered with an array of shimmering blues and greens, interspersed with touches of pink and white that suggest the movement of the water and the changing sky above.On the riverside, figures can be seen engaging in daily activities, hinting at the relationship between the landscape and its inhabitants. The bridge in the midground connects not only the riverbanks but also the human elements with the natural setting, emphasizing a harmony that is typical of Sisley’s works.

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Artist
Alfred Sisley
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Alfred Sisley (1839–1899), an English impressionist artist, was renowned for his breathtaking impressionist landscape paintings. Born in 1839 to a wealthy family in Paris, Sisley spent most of his life in France. Despite being intended for a career in commerce, he rebelled and pursued his passion for painting as an amateur in the studio of Charles Gleyre, where he befriended artists Claude Monet and Pierre-Auguste Renoir. The financial loss of his family in the Franco-German War led Sisley to make a career out of his art, though it left him financially distressed. It wasn't until after his passing in 1899 that the true value of his work was recognized.

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