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Margaret Stonborough-Wittgenstein sitzend Studie original painting by Gustav Klimt. ALL GICLEE PRINTS
Margaret Stonborough-Wittgenstein sitzend Studie original painting by Gustav Klimt. ALL GICLEE PRINTS

Margaret Stonborough-Wittgenstein sitzend Studie

Gustav Klimt
Technique: Giclée quality print
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** Gustav Klimt's artwork "Margaret Stonborough-Wittgenstein sitzend Studie" provides a delicate and refined glimpse into the artist’s preparatory process for portrait painting. This pencil sketch poignantly captures the essence of Margaret Stonborough-Wittgenstein, a notable figure in Viennese society and a member of the intellectually prominent Wittgenstein family.In the study, Klimt portrays Margaret seated, cloaked in a flowing dress that exemplifies Klimt’s attention to textural detail and fabric dynamics even within his sketches. Her posture, with hands gently placed together, underscores a demeanor of composure and contemplation. The drawing, minimal yet expressive, allows us to see Klimt’s mastery in capturing human emotion and sophistication.Margaret’s facial expression, drawn with subtle lines, conveys a serene yet distant demeanor, suggesting an air of introspective thought. The abstract portrayal of her attire, characterized by loose, intricate strokes, hints at the opulent patterns that often adorn Klimt's more finished works.This piece is a compelling example of Klimt’s preliminary artworks, where every stroke serves as a foundational element for his grander, more detailed compositions.

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Gustav Klimt
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Gustav Klimt (1862–1918) was one of the greatest Austrian symbolist painters of the Art Nouveau era. Renowned as one of the most prominent founding members, and as a president of the Vienna Art Nouveau movement (Vienna Secession). His works were mainly paintings, murals, and sketches. Marked by his numerous erotic drawings, Klimt's primary subject were female figures, and at one point his work was even criticized as pornographic. Klimt found financial success in his "Golden Phase" with decorative techniques and the prominent use of gold leaf in his paintings.

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