Assiette de fruits (1917)

Technique: Giclée quality print
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More about this artwork

Welcome to our exploration of "Assiette de fruits" (1917), a captivating still life by the French artist Pierre Bonnard. Renowned for his intense use of color and innovative compositional techniques, Bonnard brings an intimate and personal perspective to this genre, turning an ordinary plate of fruit into a lush, vibrant spectacle.In "Assiette de fruits," Bonnard employs a rich palette to animate the simple subject matter. The painting features a plate overflowing with succulent fruits, each depicted with strokes of vivid yellows, reds, oranges, and greens that seem to dance on the canvas. These colors are not just reflections of the physical characteristics of the fruits but are expressions of light and mood, with the shadows and highlights teasing out the roundness and textures of each piece.Set against a backdrop that hints at a domestic interior—suggested by part of a curtain and a wooden surface—the composition foregrounds the fruits, focusing our attention right into the center where a glint of white light brings the eye to rest on the smooth, shiny peel of the apples and the textured rind of the oranges.Bonnard's brushwork is loose and expressive, contributing to a feeling of spontaneity and immediacy. The thick application of paint and the blur of contours create a sense of movement, as if the fruits might roll right off the canvas. This dynamic treatment invites viewers to look closer, engaging not just with the fruits but with the entire environment they inhabit."Assiette de fruits" is emblematic of Bonnard's work during this period, reflecting his fascination with the luminous effects that can be achieved through color.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.