Portrait Of Millicent Leveson-Gower, Duchess Of Sutherland (1867-1955) (1904)

Technique: Giclée quality print
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More about this artwork

We invite you to delve into the refined elegance captured by John Singer Sargent in his portrait of Millicent Leveson-Gower, the Duchess of Sutherland. Painted in 1904, this masterpiece encapsulates the grace and stature of one of the Edwardian era's most influential figures.In the portrait, the Duchess stands tall and poised amidst a lush, shadowed garden, her figure illuminated by a soft, natural light that accentuates the delicate textures of her opulent gown. Sargent's use of vibrant greens and shimmering silvers in her dress reflects both the natural surroundings and the status of his subject. The gown drapes elegantly, decorated with intricate floral motifs that enhance her dignified yet approachable demeanor.The composition is anchored by a classical stone table, which the Duchess gently touches, adding to the overall poise and stability of the depiction. Her gaze, directed slightly away from the viewer, invites curiosity about her thoughts and emotions. The backdrop of dense foliage and the subtle interplay of light and shadow create an intimate yet expansive setting that highlights the Duchess's social and personal depth.John Singer Sargent, renowned for his ability to capture the essence of his sitters, presents a woman who is both a part of and apart from the sumptuous world around her. This painting is not just a representation of Millicent Leveson-Gower as a Duchess but as a nuanced individual rooted in her time yet timeless in her elegance.Come and see this remarkable work in person to experience the subtle complexities and the beautiful rendering that Sargent is celebrated for.

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Yes, reproductions can be returned.

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Born in Florence to American expatriate parents, John Singer Sargent (1856–1925) is considered Europe's leading portrait painter of the Edwardian era. He was educated at both Accademia delle Belle Arti and Paris's École des Beaux Arts. While in Paris, under the guidance of Émile–Auguste Carolus–Duran, a portraitist and muralist, Sargent learned to paint directly from observation without first sketching, employing a fluidity, influenced by the Impressionists. Sargent created more than 2,900 paintings, mainly portraits and landscapes from his travels across the Atlantic, Europe, the Middle East and America.