Letter Decorated with a Snail on a Leaf (1880)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

We invite you to explore "Letter Decorated with a Snail on a Leaf", an enchanting 1880 artwork by French painter Edouard Manet. Capturing the simplicity yet profound beauty of nature, this painting features a delicately rendered snail, comfortably perched upon a vibrant green leaf. The leaf, depicted with lifelike folds and hues, contrasts beautifully against the pale background, emphasizing the details and colors chosen by Manet.Above the leaf, the artwork includes intriguing handwritten text, which adds a personal touch and suggests the painting might have served as a letter or an artistic message to a friend. Manet's script, elegant and flowing, complements the natural theme and enriches the painting’s narrative, inviting viewers to ponder the story behind this serene interaction between flora and fauna.This piece is not just a painting; it's a reflection of Manet's ability to find art in everyday life and his prowess in using quick brushstrokes to convey life’s ephemeral yet enchanting moments.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.