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Near Tassisudon [Tashicho Dzong] (ca. 1783) reproduction of painting by Samuel Davis. ALL GICLEE PRINTS
Near Tassisudon [Tashicho Dzong] (ca. 1783) reproduction of painting by Samuel Davis. ALL GICLEE PRINTS

Near Tassisudon [Tashicho Dzong] (ca. 1783)

Samuel Davis
Technique: Giclée quality print
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This atmospheric painting by Samuel Davis, dating back to around 1783, captures the serene and commanding presence of Tashicho Dzong, one of Bhutan’s most significant historical and religious centers. Depicted in a delicate wash of grays and whites, the artwork conveys the misty allure of the Himalayan landscape that surrounds the dzong. In the foreground, one can observe the rugged terrain with scattered vegetation, softly leading the viewer’s eye to the architectural marvel that gently sits atop a series of small elevations.The buildings are rendered with a keen attention to the textures and forms of traditional Bhutanese architecture, highlighted against what appears to be a lighter, possibly overcast sky. A few figures, suggestive of local inhabitants or monks, add a human element to the landscape, hinting at daily life near this monumental edifice.Samuel Davis, known for his travels and detailed artistic records of the landscapes and cultures he encountered, provides us with more than just a visual treat; this painting serves as a historical document that hints at the tranquil yet monumental nature of Bhutanese dzongs.

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Samuel Davis
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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.

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