Podobizeň ženy (1922)

Technique: Giclée quality print
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More about this artwork

We invite you to delve into the monochromatic world of Konštantín Bauer's "Podobizeň ženy" (Portrait of a Woman), a captivating work from 1922 that stands out for its intense expression and striking use of shadow and light. Bauer’s brushwork is vigorous and unsparing, creating a dynamic interplay of dark tones and textured strokes that give the painting a tangible sense of depth and movement.The woman in the portrait commands attention with her penetrating gaze, which seems to emerge vividly from the surrounding darkness. Her features are rendered with a combination of sharp lines and soft shading, adding a profound complexity to her expression. The eyes, especially, are focal points, imbued with a hint of mysterious introspection.The use of contrasting light and dark elements not only highlights the woman’s facial features but also suggests an emotional intensity that might reflect the subject's inner life or the socio-cultural context of the era. Bauer's style, marked by the abstract and the gestural, pulls viewers into a deeper contemplation of the woman's character and the possible stories behind her gaze."Podobizeň ženy" serves as a striking example of early 20th-century portraiture where personal and artistic exploration coalesce.

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Konštantín Bauer was a Slovak painter.

Konštantín Bauer was born on November 24, 1893 in Slovenská Ľupča. He spent his childhood in Banská Bystrica. At the age of fifteen, he moved with his parents to Košice, where he graduated from high school. After graduating in mechanical engineering in Budapest in 1915, he worked briefly as an engineer in Novo Mesto pod Šiatrom. From 1916 to 1918 he worked as a railway engineer in Transylvania and then as a civilian employee at the Ministry of War in Vienna.