Le Gue (The Ford) (1865)

Technique: Giclée quality print
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More about this artwork

Odilon Redon's etching "Le Gue" (The Ford) from 1865 is a striking representation of a natural scene, ripe with narrative depth and a palpable sense of atmosphere. The artwork depicts a group of figures navigating their way across a shallow body of water, framed by a dramatic arrangement of rugged rocks and boulders. Above them, an expressive sky swirls with clouds, enhancing the overall mood of the scene.Redon, known for his evocative use of darkness and light, employs a dense array of detailed etching lines to create a sense of rugged textures in the rocks and the softness of the water and sky. This contrast visually emphasizes the struggle and transient nature of the group's journey through the ford. Each figure interacts delicately with the water, and their collective effort to cross encapsulates a moment of human vulnerability and perseverance.The composition of "Le Gue" leads the viewer's eye across the watery passage, following the journey of these figures amidst the imposing natural world. It invites interpretations related to human endeavor against the challenges posed by nature, framed within the sublime beauty of an almost mythological landscape.This artwork by Odilon Redon not only highlights his skill with the etching technique but also his deep sensitivities to themes of human struggle, the power of nature, and the enveloping force of the environment.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.