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Woman Sitting with a Child in Her Arms reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Woman Sitting with a Child in Her Arms reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Woman Sitting with a Child in Her Arms

Mary Cassatt
Technique: Giclée quality print
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In this tender and evocative painting titled "Woman Sitting with a Child in Her Arms," the renowned artist Mary Cassatt captures a serene, intimate moment between a mother and her child. The scene is suffused with a soft, tranquil ambiance, characteristic of Cassatt's works which often explore themes of motherhood and the private lives of women.The painting features a woman seated, with her back mostly turned to the viewer, holding a young child who appears to be dozing off in her comforting embrace. The child’s relaxed posture and the gentle way his head rests against the woman speak to a sense of calm and safety found in his mother's arms. The backdrop is rendered in muted tones which highlight the subjects, lending the composition a quiet, almost ethereal quality.Cassatt's brushwork is loose and impressionistic, allowing color and light to play over the surfaces and create a warm, inviting texture. The artist’s focus on the intimate and the everyday does not merely document; it elevates the simple act of holding a child to something universally poignant and inherently artistic.This artwork not only showcases Cassatt's skill as a painter but also her deep understanding of the emotional depths within the everyday moments of life.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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