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After-Dinner Coffee (recto) (c. 1889) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
After-Dinner Coffee (recto) (c. 1889) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

After-Dinner Coffee (recto) (c. 1889)

Mary Cassatt
Technique: Giclée quality print
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Welcome to our exploration of "After-Dinner Coffee (recto)" by Mary Cassatt, created around 1889. This drawing, part of Cassatt's rich body of work, exemplifies her ability to capture intimate, domestic scenes with a profound sense of immediacy and emotional depth.In this artwork, we observe a young woman seated comfortably, yet with an air of contemplation, as she enjoys a cup of coffee. The details are sketched with deliberate strokes, showcasing Cassatt's mastery in portraying the simple yet poignant moments of everyday life. The woman's thoughtful expression and the casual grip on her coffee cup suggest a moment of relaxation or perhaps deep thought, underscoring the painting's serene atmosphere.The composition and the sketch-like quality of the work allow viewers to appreciate the spontaneity in Cassatt’s method—her ability to capture a fleeting moment with enduring charm. The subtle shading and controlled line work emphasize the gentle folds of the woman’s dress and the casual drape of fabric over the furniture, creating a scene that is both personal and universal.This piece is a beautiful example of Mary Cassatt’s contribution to the Impressionist movement, highlighting her focus on the lives of women and the intimate moments of their daily experiences.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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