A King Charles Spaniel (c. 1866)

Technique: Giclée quality print
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More about this artwork

Welcome to an intimate glimpse into the world of 19th-century Parisian art through "A King Charles Spaniel," a remarkable painting by the influential French artist Édouard Manet, dated approximately 1866. This work captures the essence of a beloved pet, portrayed with the sensitivity and detail that Manet is celebrated for.In this painting, the viewer is drawn to the expressive eyes of a King Charles Spaniel, which looks out with a soft yet penetrating gaze. The dog is seated on a luxurious, deep red cushion that enhances its dignified yet tender expression. Its fur, rendered in shades of white and rich amber, is painted with swift, confident brushstrokes that convey both the texture and the dynamic, lively nature of the spaniel.Adding to the composition’s character is a small, black-and-white ball placed beside the dog, suggesting playfulness and motion. This object not only complements the scene but also invites the viewer to contemplate the daily life and moments of joy likely shared between the dog and its owner.Manet's choice of a dark, neutral background focuses our attention on the dog itself, highlighting the animal's regal stance and the intricate details of its coat and expression. This strategic use of lighting and shadow plays a key role in evoking an atmosphere of intimacy and contemplation."A King Charles Spaniel" is more than a simple pet portrait; it is a testament to Manet’s skill in capturing the soul of his subject, making it a poignant piece that resonates with pet lovers and art aficionados alike.

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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.