Alton Brooks Parker. Farmer, jurist and presidential possibility (1904)
Technique: Giclée quality print
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Udo Keppler's vividly colored caricature, titled "Alton Brooks Parker: Farmer, Jurist, and Presidential Possibility," presents an engaging portrait of the titular figure set against a serene backdrop of golden wheat fields. At first glance, one is struck by the imposing character of Parker, depicted with a prominent mustache and stern, resolute expression, characteristic of many political figures of his era.Clad in a formal, dark frock coat that contrasts strikingly with a light waistcoat and crisply tied cravat, Parker stands confidently amongst the wheat, a symbol likely representing his supposed agrarian connections—an essential element during political campaigns of that time to appeal to the American farmer. In one hand, Parker holds a sickle, reinforcing this agricultural image, while in the other he carries a book labeled "Law," indicative of his professional background and judicial acumen.Above Parker floats a heraldic shield, possibly alluding to noble aspirations or a family crest, lending a further air of dignity and prestige to his persona. The clear blue sky in the background not only brightens the entire composition but also perhaps symbolizes hope and ambition.Created by Udo Keppler, a noted political cartoonist of the early 20th century, this work offers both a humorous and critical view of Alton Brooks Parker, emphasizing the multifaceted nature of his public identity as he was being considered for the presidential candidacy. Through Keppler's expert melding of symbolism and caricature, the painting invites viewers to contemplate the constructed images of political figures and their campaign strategies in the pursuit of public office.
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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.