A Pond in Ennery (1874)

Technique: Giclée quality print
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More about this artwork

A tranquil and picturesque depiction of everyday rural life, "A Pond in Ennery" by Camille Pissarro, painted in 1874, elegantly captures the essence of a peaceful moment in a French village. This idyllic scene is set against a backdrop of rustic buildings, some adorned with vivid green moss, indicating the passage of time embraced by nature. In the foreground, a reflective pond serves as a central focal point, around which the activities of village life quietly unfold.The painting showcases a woman atop a white horse, pausing by the water, perhaps enjoying a brief respite or engaged in casual conversation with the villagers. To the right, a small group of people, likely local residents, convey a sense of community and daily social interaction. They are depicted in mid-discussion, adding a dynamic element to the serene setting. The presence of ducks gliding on the pond’s mirror-like surface injects a lively, yet peaceful dynamic to the rural stillness.Pissarro's brushwork brings a textural richness to the scene, with the rough facades of the houses and the soft, airy sky above demonstrating his mastery in rendering varied surfaces. The artist’s use of light and shadow, combined with a muted yet harmonious color palette, further enhances the quiet beauty of the rural landscape, inviting the viewer to linger in this moment captured in time.

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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.