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Paysage Avec Cheval Blanc Dans Un Pré, L’hermitage, Pontoise (1872) reproduction of painting by Camille Pissarro. ALL GICLEE ...
Paysage Avec Cheval Blanc Dans Un Pré, L’hermitage, Pontoise (1872) reproduction of painting by Camille Pissarro. ALL GICLEE ...

Paysage Avec Cheval Blanc Dans Un Pré, L’hermitage, Pontoise (1872)

Camille Pissarro
Technique: Giclée quality print
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"Paysage Avec Cheval Blanc Dans Un Pré, L’hermitage, Pontoise" is a captivating landscape painting created by the renowned artist Camille Pissarro in 1872. This piece beautifully showcases Pissarro’s skillful use of color and light, bringing the serene scenery of Pontoise—an area that greatly inspired the Impressionist movement—to life.In this serene depiction, Pissarro captures a tranquil rural scene characterized by soft, expansive skies and gentle undulations of the lush countryside. The painting is centered around a solitary white horse grazing peacefully in a meadow, symbolizing the harmony between nature and the creatures inhabiting it. Surrounding the horse are various elements that evoke a sense of calm and quiet rural life—tall trees dot the landscape, their leaves portraying the changing colors of the seasons, while a village nestles subtly in the background, depicted with gentle brushstrokes that blend harmoniously into the horizon.This painting not only reflects the beauty and simplicity of rural landscapes but also embodies the essence of Impressionist art through its loose brushwork and the vivid portrayal of light and atmosphere.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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