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Femme En Chemise Près D’un Lit (circa 1896) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Femme En Chemise Près D’un Lit (circa 1896) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Femme En Chemise Près D’un Lit (circa 1896)

Camille Pissarro
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Camille Pissarro, celebrated for his pivotal role in the Impressionist movement, brings an intimate domestic moment to life in "Femme En Chemise Près D’un Lit" (circa 1896). Translated as "Woman in a Chemise Near a Bed," this painting captures the humble beauty of everyday scenes.The artwork portrays a woman, her back turned to the viewer, bowed forward as if engaging in a morning ritual or perhaps a moment of introspection. Her garment, a simple chemise, drapes naturally, highlighting Pissarro's attention to the realistic flow and wear of fabric. The subdued colors suggest the early hours of the day, with shadows blending softly into the background, providing a gentle contrast to the figure's skin and clothing.In this painting, Pissarro's brushwork is distinctly expressive—textured and somewhat loose, characteristic of his later works, where his exploration of light and shadow deepened. The composition focuses on the quiet dignity of the woman, with the surrounding details of the room blurred and indistinct, directing the viewer's attention to her action and emotional state.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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