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Barges at Pontoise (1876) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Barges at Pontoise (1876) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Barges at Pontoise (1876)

Camille Pissarro
Technique: Giclée quality print
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Experience the tranquility and bustling activity of river life in Camille Pissarro’s “Barges at Pontoise” from 1876. This evocative painting captures the essence of everyday life along the banks of the Oise River in the charming town of Pontoise, a frequent subject in the works of Pissarro. The artist's expertise in the Impressionist style shines through with his use of vibrant, loose brushstrokes that beautifully reflect the play of light on water and the seamless movements of outdoor life.The scene itself centers on two large barges moored at the riverbank. Their bold colors of black and orange are striking against the reflective blues and greens of the water. You can see figures working quietly on the barges, suggesting the daily labors of river workers. In the background, a serene line of trees and some distant buildings under a softly painted sky provide a calm backdrop to the industrial activity.The allure of this painting lies in Pissarro’s ability to juxtapose the quietude of nature with the animated existence of human endeavor. “Barges at Pontoise” not only depicts a simple moment in time but also subtly comments on the coexistence of human progress and the natural world.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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