Rue de l’Épicerie, Rouen (Effect of Sunlight) (1898)

Technique: Giclée quality print
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More about this artwork

Camille Pissarro's painting "Rue de l’Épicerie, Rouen (Effect of Sunlight)" from 1898 is a vivid representation of daily life immersed in the radiant warmth of sunlight. This masterpiece showcases Pissarro’s unparalleled ability to capture the hustle and bustle of a market day with an evocative play of light and shadow.This captivating scene is set in the historic streets of Rouen, where the intricate architecture of Gothic churches towers over the lively market below. The painting brings together a busy congregation of townspeople, depicted in an array of soft, yet vibrant colors that reflect the sunlight streaming through the cityscape.Pissarro masterfully uses loose brushstrokes to create a bustling atmosphere, filled with life and movement. The market stalls, with patches of vivid colors—reds, greens, and blues—draw the eye amidst the neutral tones of the ancient stone buildings. The sunlight, a central element of the composition, illuminates the scene, highlighting the textures and forms of the city and its inhabitants."Rue de l’Épicerie, Rouen (Effect of Sunlight)" is more than just a representation of a moment; it’s an exploration of light, color, and daily life that invites the viewer to step into a late 19th-century French city, experiencing the charm and rhythm of a day under the sun.

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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.