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Paysannes portant un panier (1888) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Paysannes portant un panier (1888) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Paysannes portant un panier (1888)

Camille Pissarro
Technique: Giclée quality print
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Camille Pissarro's painting "Paysannes portant un panier," painted in 1888, beautifully captures the essence of rural life through his distinctive Impressionist style. The artwork portrays two peasant women in a vast, open field—one standing and holding a large basket filled with greenery, the other seated beside another basket, suggesting a pause in their labor. The soft, textured application of paint and the interplay of light and color bring the pastoral scene to life, evoking a sense of both tranquility and the toil inherent in rural work.Pissarro's attention to the natural landscape and the human figures within it is evident in the detailed rendering of the lush greenery and the expansive sky filled with dynamic cloud formations. This scene not only highlights the physical activities of the rural workers but also reflects the social realities and the natural beauty of the countryside in late 19th-century France."Paysannes portant un panier" is a captivating example of how Pissarro masterfully blended technique and subject matter to deliver powerful, enduring expressions of time and place, making visible the often-unseen labors of agricultural workers.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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