Country House (ca. 1797)

Technique: Giclée quality print
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More about this artwork

1797Immerse yourself in the serene beauty of the English countryside captured in Thomas Girtin's exquisite watercolor painting, "Country House." Created around 1797, this artwork delicately portrays a charming, timeworn house nestled amid vast, lush landscapes. The painting invites the viewer to explore an idyllic rural retreat, showcasing Girtin's mastery in rendering architectural details and natural scenery.The focal point of the painting is an enchanting two-story house, distinguished by its half-timbered façade and a roof gently kissed by time. Paint peels slightly from wooden frames, adding a touch of authenticity and age that tells stories of years gone by. Adjacent to the house, a tall, slim chimney rises, while the windows peep out, suggesting a lived-in warmth.To the right, the eye is drawn to the robust forms of trees, their branches intricate and full, whispering of the gentle winds that pass through them. Thomas Girtin employs soft, muted greens and blues, artfully blending the foliage with the subdued sky, creating a harmony between the built and natural environment.In the foreground, a lone figure, clothed in period attire, strolls by, evoking a sense of quiet solitude and contemplation. This inclusion adds life to the scene and invites viewers to ponder the daily goings-on of past inhabitants.With "Country House," Thomas Girtin not only captures a snapshot of rural elegance but also conveys a timeless tranquility, making it a cherished piece for those who appreciate the subtle interplay of light, texture, and color in landscape art.

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Thomas Girtin was an English watercolourist and etcher. A friend and rival of J. M. W. Turner, Girtin played a key role in establishing watercolour as a reputable art form.

Thomas Girtin was born in Southwark, London, the son of a wealthy brushmaker of Huguenot descent. His father died while Thomas was a child, and his mother then married a Mr Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy (attending classes with Thomas Malton), and was apprenticed to Edward Dayes (1763–1804), a topographical watercolourist. He is believed to have served out his seven-year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not appreciate his pupil's talent, and he was to write dismissively of Girtin after his death.