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Field and Mill at Osny  (1884) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Field and Mill at Osny  (1884) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Field and Mill at Osny  (1884)

Camille Pissarro
Technique: Giclée quality print
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"Field and Mill at Osny" (1884) by Camille Pissarro is a serene and vibrant depiction of the French countryside, embodying the essence of Impressionist art. This painting invites viewers into a tranquil rural scene, characterized by a sprawling green field dotted with grazing cattle under a dynamic, textured sky. At the center stands an old mill, its prominence within the composition suggesting its importance to the local community's daily life.Pissarro's mastery of light and color is evident in his brushwork, where varying shades of green and touches of red and brown suggest the lushness of the grass and the changing colors of the seasons. The trees, with their bare branches tinged with autumnal hues, frame the buildings and add depth to the landscape. The overall effect is a harmony of nature and human habitation, captured with a vividness that almost makes the viewer feel the crispness of the country air.This painting is not just a visual treat; it also serves as a historical snapshot of rural life in the 1880s, offering insight into the pastoral landscapes that inspired many Impressionist painters.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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