Saint Anthony (1519)

Technique: Giclée quality print
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More about this artwork

Nestled within our Gallery’s collection, the intriguing engraving named "Saint Anthony" from the year 1519 stands as a testament to Albrecht Dürer's genius in the Northern Renaissance. This captivating work intricately portrays the figure of Saint Anthony, enveloped in a cloak, with his back turned to the viewer. Contrasting the individual solitude of the saint, the detailed depiction of a bustling town sits intriguingly in the background.Saint Anthony, known for his monastic life and often considered the father of all monks, is portrayed in a moment of peaceful contemplation or reading, seated outside the walls of a medieval city. This juxtaposition is beautifully rendered by Dürer, highlighting the saint’s withdrawal from worldly life yet being in close proximity to society. The detailed medieval architecture behind him is meticulously drawn, showcasing steep roofs, high towers, and dense buildings, indicative of a thriving urban life.The use of clear, fine lines by Dürer in this engraving provides an extraordinary level of detail, which lends a texture and depth to the work that draws viewers into this quiet, reflective moment. Every line works collectively to emphasize both the serenity and isolation of Saint Anthony juxtaposed against the complex life of the urban backdrop.This piece is not just a display of Dürer’s impressive skill in engraving, but also a profound commentary on spirituality and its place amidst the human world.

Delivery

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Returns

Yes, reproductions can be returned.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.