Self-Portrait (1921)

Technique: Giclée quality print
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More about this artwork

Max Liebermann, a pivotal figure in German Impressionism, presents himself with striking candor in "Self-Portrait" created in 1921. This masterful charcoal on paper drawing captures the artist in his later years, marking a moment of reflective self-examination.In this portrait, Liebermann depicts his visage with a synthesis of sharp lines and soft shading, creating a thoughtful and intense expression that seems to penetrate the viewer. His gaze is direct and slightly furrowed, suggesting a mind occupied with weighty thoughts or lingering introspections. The precision of the charcoal allows for intricate detailing in Liebermann’s facial features, especially noticeable in the creases of his forehead and the contours of his prominent mustache—a testament to his skill and attention to textural detail.The stark composition and the absence of color focus the viewer's attention entirely on the subject’s expression and the textures of his aging face, which is strategically positioned slightly off-center to enhance the feeling of intimacy. This choice of positioning, along with the straightforward gaze, fosters a connection between the artist and the observer, making it not just a depiction of physical appearance but also a window into the artist's soul at that time."Self-Portrait" (1921) not only showcases Max Liebermann's prowess with the charcoal medium but also offers a profound insight into his personal and artistic journey, reflecting his legacy as one of the foremost figures in modern German art.

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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.