Bauer an der Wiege – Der Witwer (1890)

Technique: Giclée quality print
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More about this artwork

Welcome to our gallery's feature on Max Liebermann’s profound work "Bauer an der Wiege – Der Witwer" from 1890, a quintessential piece that reflects the artist’s empathetic approach towards ordinary life situations.This impactful charcoal drawing presents a poignant scene of a peasant or farmer, sitting pensively next to a crib in which a child rests. The focal point of the artwork is the farmer, dressed in simple, well-worn clothes, his expression one of deep reflection or perhaps sorrow. The darkness of his attire contrasts with the lighter tones used for the sleeping child, possibly highlighting the innocence of youth against the hardships experienced by adults.The background, sketched with broad strokes, fades into obscurity, directing the viewer’s attention to the human figures, emphasizing the intimate and personal nature of the setting. Liebermann’s ability to capture the emotional gravity of such a moment, with minimal yet powerful detailing, showcases his mastery of drawing to evoke empathy and contemplation."Bauer an der Wiege – Der Witwer" translates to “Farmer at the Cradle – The Widower,” suggesting a narrative of personal loss and the silent strength it takes to move forward in the face of such adversity. This piece invites viewers to reflect on themes of familial duty, resilience, and the poignant realities of peasant life, further solidified by Liebermann’s focus on social realism.

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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.