Die Blumenterrasse im Wannseegarten nach Nordosten (Circa 1923)

Technique: Giclée quality print
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Max Liebermann's vibrant composition, "Die Blumenterrasse im Wannseegarten nach Nordosten," invites viewers into a serene, lush vista that captures the essence of a blooming garden terrace at Wannsee. Created around 1923, this painting is a testament to Liebermann's mastery in depicting light and nature, intertwining the intimate charm of private spaces with the grandeur of natural beauty.The artwork features a bird’s-eye view of a terrace garden adorned with an array of colorful flowers and neatly arranged flower beds, which are vibrantly showcased against the muted tones of the pathways and green surroundings. The central focus is on two circular flower beds, their blues and yellows vivid under what seems to be the soft light of a cloudy day. Hints of dynamic strokes in the sky suggest movement, possibly the stirring of leaves in a gentle breeze, enhancing the painting's lively atmosphere.Flanking the garden are statuesque trees and shrubs, their forms abstracted into bursts of green and hints of darker shades, which adds depth and contrast. The composition’s loose, energetic pastel strokes convey a sense of immediacy and the fleeting nature of a moment captured on a leisurely afternoon in Liebermann's beloved garden.This painting not only reflects Liebermann's impressionistic style but also his personal joy in the tranquility of his garden at Wannsee.

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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.