Käthe Liebermann – Die Tochter des Künstlers (1916)

Technique: Giclée quality print
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Artist:Max Liebermann's 1916 portrait offers a compelling insight into the personal world of one of Germany's leading Impressionists. The painting depicts the artist’s daughter, Käthe, captured in a modest and introspective pose. Her direct gaze and the subtle detailing of her expression delve into a narrative of quiet strength and contemplative grace.Käthe is dressed simply, suggesting a moment of everyday life rather than a formal occasion. She wears a loose, white blouse and a dark skirt, the attire resonating with an understated elegance. Her hands are gently clasped in front of her, adding to the overall serene demeanor.The background is minimalistic, featuring neutral tones that focus attention on the subject. Liebermann's brushwork is visible in the texture of Käthe’s clothing and in the delicate handling of her features, demonstrating his mastery in capturing the character and mood of his sitter.This portrait not only serves as an artistic representation of Käthe but also embodies the emotional and familial bonds between her and her father. The simplicity of the composition and the intimate portrayal speak to the essence of Liebermann’s personal relationships, mirrored through his art.### Significance:holds a place of special significance as it reflects Liebermann’s connection to his family, through the sensitive portrayal of his daughter.

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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.