Nénuphar 3 (1896)

Technique: Giclée quality print
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More about this artwork

Dive into the serene elegance of Maurice Pillard Verneuil's "Nénuphar 3," a captivating painting from 1896 that exemplifies the artist's fascination with nature and patterning. This exquisite work showcases Verneuil’s skill in combining natural elements with decorative arts, reflective of the Art Nouveau movement which flourished during his time.The painting is thoughtfully divided into distinct sections, each a testament to Verneuil's meticulous attention to detail and his love for the water lily, or 'nénuphar.' The top band features a linear, stylized array of water lily blooms, cast in monochromatic hues that emphasize their geometric simplicity and beauty. Below, a rich tapestry of water lily pads and flowers unfolds. The pads and flowers are rendered in a palette of warm browns, soft tans, and creams, set against a highly detailed, textured background that suggests the interplay of light and shadow on water surfaces.On the bottom left, Verneuil introduces a contrasting element—a geometric pattern not directly related to the natural theme but echoing the importance of structural designs in Art Nouveau. Adjacent to this, on the right, is a detailed portrayal of water lily clusters, inviting the viewer to appreciate the subtleties of form and perspective in a natural setting."Nénuphar 3" is not merely a representation of nature but an invitation to observe and reflect upon the beauty found in structured, natural forms.

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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.