Cacao «A. Driessen» (1900)

Technique: Giclée quality print
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More about this artwork

Welcome to our latest exhibit featuring the enchanting work of Henri Privat-Livemont, a prominent figure in the Art Nouveau movement. Prominently displayed is his celebrated piece, "Cacao A. Driessen" (1900), a stunning example of Privat-Livemont's masterful approach to advertising art.This visually arresting poster was created to promote the chocolate products of the Dutch company A. Driessen. The artwork is dominated by the graceful figure of a woman depicted in an ethereal style typical of Art Nouveau. She is surrounded by a halo of cacao plants and blossoms, emphasizing the natural origins and allure of chocolate. Her attire, a flowing and delicately detailed dress, captures the elegance and femininity associated with the era's ideal of beauty.Below the central figure, two cherubic children, joyous and engaged in playful delight with the cacao pods, add a sense of innocence and charm. These elements collectively symbolize the sweetness and joy that chocolate brings to everyday life.The composition's soft pastel palette and the swirling lines that frame the figures highlight Privat-Livemont’s skill in blending natural forms with decorative aesthetics. The text “Cacao ‘A. Driessen’” is boldly placed at the top, its striking typography a testament to the importance of branding even in the early 20th century.This piece not only serves as an advertisement but also as an artistic celebration of chocolate, appealing to the viewer’s senses through its visual splendor.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He, with Lemaire, created the decor of the Theatre Français as well as the Hôtel de Ville, Paris. He later moved back to Brussels, and worked on theaters and casinos there.

In 1897, he worked on the poster for the Brussels International Exposition (1897). The posters for Absinthe Robette and the Casino de Cabourg were published in Les Maîtres de l'Affiche.