Pd Corsets (1900)

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Henri Privat-Livemont's 1900 painting "Pd Corsets" encapsulates the allure and refined taste of the Belle Époque era through a striking advertisement for corsets. This piece, which featured prominently at the Grand Prix Paris in 1900, not only showcases Livemont’s iconic Art Nouveau style but also exemplifies the period's fascination with both beauty and functionality in fashion.The central figure in the painting is an elegantly poised woman donned in a sophisticated white corset that accentuates her slender figure, symbolizing the fashion ideals of the time. Her profile view and the gentle turn of her head give a serene yet imposing presence. The woman's hair is adorned with flowers, adding a naturalistic touch that is typical of Art Nouveau aesthetics. Surrounding her are panels decorated with gold and white motifs, and other intricate details that celebrate the craftsmanship of "Manufactures Royales,” indicating the high-quality production of these garments in Brussels.The decorative roundels in the painting display various medals and honors, affirming the prestige and accolades won by the corset manufacturers at the Grand Prix, enhancing the luxurious appeal of the product. The overall composition, with its use of floral elements, curvilinear forms, and harmonious colors, speaks volumes about the era’s inclination towards artistry in everyday objects.

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Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He, with Lemaire, created the decor of the Theatre Français as well as the Hôtel de Ville, Paris. He later moved back to Brussels, and worked on theaters and casinos there.

In 1897, he worked on the poster for the Brussels International Exposition (1897). The posters for Absinthe Robette and the Casino de Cabourg were published in Les Maîtres de l'Affiche.