The Balcony At The Closerie Des Genêts, Vaucresson (circa 1920)

Technique: Giclée quality print
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More about this artwork

Venture into a tranquil scene from the early 20th century with Édouard Vuillard's painting "The Balcony at the Closerie des Genêts, Vaucresson," created around 1920. This artwork offers viewers a glimpse from a balcony overhung with lush, vibrant foliage, tapping into a serene vista that encapsulates the gentle essence of a suburban Parisian life.Vuillard, renowned for his intimate, interior scenes, steps outside in this composition to capture the natural harmony on this balcony in Vaucresson. The painting is characterized by its rich textures and a palette that blends warm earth tones with the cool blues and lush greens of the leaves, creating a soft, almost dream-like quality.The focal point of the scene is the dense foliage, depicted with dapples of sunlight filtering through to the balcony below, where hints of architectural details suggest a place of quiet refuge. A sketchy figure appears to the left of the composition, adding a human element that suggests contemplation or perhaps a deep appreciation for the serene environment.This painting is a vivid example of Vuillard’s mastery in using color and light to convey deep emotion and atmosphere. "The Balcony at the Closerie des Genêts, Vaucresson" invites the viewer to pause and reflect, offering a moment of peace in the observation of nature's subtle interactions with human-built spaces.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.