Ohne Titel (1940)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Untitled" (1940) is a captivating and enigmatic piece by Karl Wiener, an artwork rich in symbolism and abstract forms. This painting draws the viewer into a complex juxtaposition of shapes, colors, and icons that challenge conventional interpretations. The vivid use of color contrasts and the striking geometric structures contribute to its profound visual intrigue.At the heart of the painting, a luminous green skull demands immediate attention, evoking themes of mortality and the transient nature of human existence. Surrounding the skull are various abstract shapes and symbols including a heart, cross-like figures, and mystical glyphs, possibly suggesting elements of love, faith, and the mystical or arcane. The background, with its deep blue hues, sets a somber mood, intensifying the overall impact of the composition. The year "1940," prominently displayed, anchors the work in a historical context, perhaps reflecting the turmoil and uncertainties of that era.Karl Wiener’s "Ohne Titel" compels the viewer to delve into the depths of their perceptions and emotions, inviting interpretations that resonate on personal, historical, and symbolic levels.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.