männlicher Akt V

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

Artist:Karl Wiener's remarkable work, "Männlicher Akt V," offers an intriguing exploration into the human form, presenting a male figure rendered in a strongly expressive style. The painting, centered around a dynamic pose, shows a male nude holding a staff, emphasizing both strength and movement. Wiener's masterful use of chiaroscuro techniques to sculpt the muscles and contours of the body add a dramatic, almost sculptural quality to the drawing.The background is modestly detailed, allowing the viewer's focus to remain intensely on the muscular definition and the striking pose of the figure. The faceless head adds an abstract dimension to the piece, evoking a sense of universality and timelessness. Wiener's careful balance between detail and abstraction invites viewers to fill in the blanks with their imagination, making the artwork a personal experience for each observer."Männlicher Akt V" stands as a powerful statement in Karl Wiener’s artistic journey, encapsulating his ability to capture human emotion and physicality with a bold, confident stroke.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.