Self-Portrait (1928)

Technique: Giclée quality print
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More about this artwork

Ernst Ludwig Kirchner's 1928 "Self-Portrait" is a vivid exploration of the artist's psyche, rendered in the bold color and emotional intensity typical of the Expressionist movement. This painting provides a window into Kirchner’s inner world during a period marked by turmoil and introspection.In the painting, Kirchner depicts his own image fragmented and abstracted, consisting of bold, angular lines and stark, contrasting colors. His face emerges from an assemblage of shapes and hues, conveying the complexity of his identity and emotional state. The use of sharp angles and dissonant color combinations suggest a sense of discord and tension. The colors are not just mere representations but seem to pulsate with emotion, possibly reflecting the artist’s mood swings and psychological struggles.Further enriching the narrative of self-examination are the intriguing elements in the background and surrounding the central figure. To the right, a haunting figure looms, perhaps symbolic of Kirchner’s own fears or a persona he confronts within himself. The house-like structures and spectral forms hovering around the background might represent his environmental and social influences or memories seeping into his self-representation.Ernst Ludwig Kirchner's "Self-Portrait" is not just a visual account of the artist's appearance, but a profound commentary on his mental and emotional landscape during a critical phase of his life.

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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.