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Kopf Mary Wigmann (1926) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS
Kopf Mary Wigmann (1926) reproduction of painting by Ernst Ludwig Kirchner. ALL GICLEE PRINTS

Kopf Mary Wigmann (1926)

Ernst Ludwig Kirchner
Technique: Giclée quality print
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Ernst Ludwig Kirchner's 1926 masterpiece, "Kopf Mary Wigmann," captures the haunting intensity and profound expression of the renowned dancer and choreographer Mary Wigman. This striking lithograph is characterized by bold, jagged lines and a stark interplay of colors that add a dramatic depth to the subject's visage. The dominant hues of black, white, and yellow contour and highlight the features of Wigman's face, emphasizing her penetrating gaze and the thoughtful, perhaps contemplative, expression.Kirchner, a leading figure in the German Expressionist movement, was renowned for his ability to convey raw emotion through his art. In "Kopf Mary Wigmann," he uses the expressive potential of lithography to explore the psychological and emotional state of Wigman. The rough textures and contrasting colors echo the intensity and innovation that Wigman brought to dance, making this piece not only a portrait but also a dynamic representation of artistic spirit.This artwork is not only a celebration of an influential figure in the world of dance but also a testament to Kirchner's mastery in capturing the essence of his subjects through vivid expressionist techniques.

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Ernst Ludwig Kirchner
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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.

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