Reapers

Technique: Giclée quality print
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More about this artwork

George Stubbs' painting, "Reapers," captures a pastoral scene of agricultural life within an English landscape. Executed in a tondo (circular) format, the composition places a variety of figures in a field during harvest time.On the left, we see a woman dressed in an elaborate red outfit and a black hat, watching over the scene. She is near a group of men who are busy with the harvest. These men, dressed in simple, light-colored work clothing, are engaged in different activities connected to reaping and bundling wheat. Notably absent from more modern depictions, their tools and methods highlight the labor-intensive nature of 18th-century agriculture.Additionally, a resting dog and some scattered harvest tools add a touch of idle tranquility to the scene, contrasting the ongoing activity. On the right, a more affluent man mounted on a chestnut horse, dressed in riding attire, oversees the workers, suggesting a social hierarchy and possibly ownership of the land and the produce. Another man stands beside the horse, holding its bridle, further emphasizing the theme of service and labor roles within rural life.The background gently fades into serene distant hills and a church spire, adding a spiritual dimension and depth to the rural landscape.

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George Stubbs (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting, Whistlejacket hangs in the National Gallery, London.